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C A S S     C O L L I N S                                               Artist Statement

As a writer, my work frequently takes me inside.   Poems show me so much about myself and my relationship to the world.   Just as poetry takes me inside, photography gets me out in the world.   I like to let the camera show me what it sees.   I am more interested   in an impression than in an absolute record, although photography is a great record-keeper.  

For the last eight years I have been using digital cameras.   I like the immediacy of the image but sometimes long for the depth and sensuality of film.   I have been working on a Sky/Water series for a few years now. Most of those images are in this show.  

I love the reflective aspect of water.   Reflected images, of skies in glass towers or branches in an icy stream bring the world together for me in a very satisfying way.   If I had to choose one subject for writing or photography, it would be water.   It seems to have such infinite possibilities.

 

from H i G H   W A T E R M A R K   S A L O [O] N  volume 2 number 2

"Indian River "

It was not the coffee-colored Hudson,
with its fist-sized floating turds and
long latex sleeves -- rubbers
we called them. They made the world of
night and men seem dark beyond my imagining
but real, hard to understand, like the taste
of sour pickles, swimming among mustard seeds
and hard black peppercorns in an open cask.

It was not the East River either,
where boys and I swam against the rules,
against all cautioning of rats and polio
because it was hot, too hot
on that black pier and we needed
the sting of cold water
against our young skin.

The river of my childhood was not one
of these. It was a slithering trail of
clear cold water that wound through
the north land of Ironwood
where I would catch my first fish
and return it, bloodied, vigorous, even
grateful, to be caught again
later, unable to resist the temptation
of my bait, unable to believe
in the sport of children.

In the darker pools of that river, under
the road, leeches sucked my belly fat,
bruising it purple, and the snapping turtle
lurked, threatening to capture limbs if I
failed to fear it. I never did.

One hot August morning at the edge of my
childhood, I caught a small round fish,
and laid its flat body against a smooth rock.
I drove a sharpened stick through its flashing
scales and stripped it of guts and head.
Lighting a fire on the riverbank, I cooked
its flesh until it was white and ate it,
tasting smoke and steel and fear
in its soft pale meat.

 

 

B I O
Cass Collins is a columnist for the River Reporter and a member of the Upper Delaware Writers Collective. See her videopoem "Dunowen" on You Tube.

photo by Conor Stratton